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Music and Agency in War and Other Conflicts
Renaissance military campaigns requiring chapel musicians, Ottoman bands striking terror into Habsburg hearts, …
Edited by Gavin S. K. Lee and Melanie Plesch
The resurgence of armed conflicts around the world—both within and between states—has highlighted the enduring significance of music in shaping, contesting, and reflecting sociopolitical realities. In this issue, we invited musicologists to reflect on the agency of music in conflict settings across diverse geopolitical and historical contexts. Contributors were asked to respond to at least three of six thematic prompts. Their responses have been organized into four articles.
The contributions foreground the role of music not as merely incidental to war, but as a dynamic—and at times contentious—agent in processes of resistance, remembrance, trauma, and recovery. We hope this collective reflection will open new avenues for conversation, interdisciplinary inquiry, and public understanding of music’s power in times of violence and upheaval.
Renaissance military campaigns requiring chapel musicians, Ottoman bands striking terror into Habsburg hearts, …
War, occupation, and oppression cannot silence music. Contributors trace how sonic acts of resistance—whether Nigerian …
Music’s association with the embedding of ideological messages, now mediated through algorithmic amplification, …
From Ukrainian diaspora songs to Palestinian oud players in refugee camps and Ukrainian musicians performing by phone light …