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Tasty byte-size provocations to refuel your thinking! Brought to you by:  IMS Logo
IMS Musicological BrainfoodIMS Musicological Brainfood
Tasty byte-size provocations to refuel your thinking! Brought to you by:  IMS Logo
  • Vol. 8 • No. 2 • 2024

AI and Multilingual Conferencing

  • Kate van Orden

One thing I love about the big IMS Congresses is the mix of scholars and languages. As people spill out of paper sessions at coffee breaks, the languages multiply, and listening to them is deeply pleasurable, such …

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  • Vol. 8 • No. 2 • 2024
AI

Musicology in a Time of Technological Transformation

  • Richard Freedman, Daniel Russo-Batterham

New technologies of writing have always complicated the relationship between authors and readers. This is especially true of the performing art of music …

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  • Vol. 8 • No. 1 • 2024
How to Do Translation

How to Go About Translation Work? Ethnomusicology Translations as a Model

  • Stephen Stuempfle, Richard K. Wolf

In this third installment in our series on the importance of translation for global musicology, Gavin S. K. Lee sought out scholars involved with Ethnomusicology Translations …

Continue reading How to Go About Translation Work? Ethnomusicology Translations as a Model
  • Vol. 8 • No. 1 • 2024
Zong Lin (ca. 501–565), Chronicles of Seasonal Customs in Jing Chu, a record of the Jing ethnic group

Harnessing Ethnomusicology for Chinese Historical Musicology

  • Tian Kewen

Among the historical writings of China, there are many works about—what we now call—ethnic groups, such as “Annals of Wu and Yue,” “The Book of the Extinction …”

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  • Vol. 8 • No. 1 • 2024
Why translation matters

Why Translation Matters: Global Musicologists Speak Out

  • Shumaila Hemani, Michael Iyanaga, Grant Olwage, Vera Wolkowicz, Anna Yu Wang

Global musicology is like a puzzle that is always in construction, with its pieces constituted by multiple research circles around the world, using myriad global languages in the course of research and …

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  • Vol. 7 • No. 2 • 2023
Torres Garcia, “America Inverted”

Whose Global Musicology?

  • Leonardo J. Waisman

After listening to a stunning, galvanizing performance by Daniel K. L. Chua in support of global musicology (inaugural lecture at the 2019 ARLAC conference), our research group, the Grupo de Musicología Histórica, set up a series of seminar-like meetings to explore …

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