Global Musicology

It has been five years since Daniel K. L. Chua took up the presidency of the IMS and instituted Musicological Brainfood. As a grand final gesture, he has made a video that tries to encapsulate the pithy, informal, and provocative spirit of this online publication and its main theme: global musicology. The video is a summary of various talks and articles developed over the last five years during his presidency. It was first aired as a keynote lecture on January 25, 2022, at the virtual conference Global Musicology—Global Music History under the title “Global Musicology Has No Key.” It is now hosted under Musicological Brainfood 6, no. 2 (2022) to complement the article “Global Musicology: A Keynote without a Key,” in Acta Musicologica 94, no. 1 (2022). These two formats—video and text—have been published in tandem under the auspices of the IMS as different but complementary experiences. The video is a stimulant with improvised flourishes, whereas the article is a more reflective and well-notated statement. Being global in nature, both the video and article are indebted to many IMS members from around the world who have contributed to Musicological Brainfood, and provided scholarly platforms for thought and copious amount of tea and coffee to keep the discussion on global musicology going. The author/auteur presents this video as a huge thank-you to all of them.

NB: The video is unlisted and not publicly available, and a member login is required.

  • Daniel K. L. Chua

    Daniel K. L. Chua is the chair professor of music at the University of Hong Kong. Before joining the University as head the School of Humanities, he was a Fellow at St John’s College, Cambridge, and later Professor of Music Theory and Analysis at King’s College London. He is the recipient of the Royal Musical Association’s Dent Medal, a fellow of the American Musicological Society, and a corresponding fellow of the British Academy. As the president of the International Musicological Society (2017–22), he championed global musicology and continues to contribute to its development. He is the author of five books: The “Galitzin” Quartets of Beethoven (Princeton, 1994), Absolute Music and the Construction of Meaning (Cambridge, 1999), Beethoven and Freedom (Oxford, 2017), Alien Listening: Voyager’s Golden Record and Music From Earth (Zone Books, 2021), and Music and Joy: Lessons on the Good Life (Yale, 2024).

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